Einige meiner Helden, in keiner bestimmten Reihenfolge:
Some of my heroes, in no particular order:
Peter Doyle: Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960
Middletown, CT 2005 (Wesleyan University Press)
Jacques Attali: Noise. The Political Economy of Music
Minneapolis/London 1985 (University of Minnesota Press)
Friedrich Kittler: Grammophon, Film, Typewriter
Berlin 1986 (Brinkmann & Bose)
Dave Tomkins: How to Wreck a Nice Beach. The Vocoder from World War II to Hip-Hop
Chicago 2011 (Stop Smiling)
Diedrich Diederichsen; Dick Hebdige; Olaph-Dante Marx: Schocker. Stile und Moden der Subkultur
Reinbek 1983 (Rowohlt)
Greil Marcus: Lipstick Traces. A Secret History of the 20. Century
Boston 1990 (Harvard University Press)
Tricia Rose: Black Noise
Middletown, CT 1994 (Wesleyan University Press)
Paul Gilroy: The Black Atlantic. Modernity and Double Consciousness
Cambridge, MT 1993 (Harvard University Press)
Evan Eisenberg: The Recording Angel. Music, Records, and Culture from Aristotle to Zappa
New Haven 2005 (Yale University Press)
Bill Brewster; Frank Broughton: Last Night a DJ Saved My Life: The History of the Disc Jockey
London 1999 (Headline)
Jürgen Teipel: Verschwende Deine Jugend
Frankfurt/Main 2001 (suhrkamp)
Robert Fink: Repeating Ourselves. American Minimal Music as Cultural Practise
Berkeley 2005 (University of California Press)
Wolfgang Schivelbusch: alles, besonders Lichtblicke, Frankfurt/Main 1983 (Fischer)
Steven Levy: Hackers. Heroes of the Computer Revolution
New York 1984 (Doubleday)
Jonathan Fleming: What kind of House Party is this?
Berkshire 1995 (Mind in you)
Schleifen 